Brizm
NINA LAS VEGAS in The Lab LA
Nina Las Vegas in The Lab LA is a global club music safari, where Beyoncé sits comfortably next to baile funk and the only rule is that it has to move. The vibe is chaotic joy, a celebration of rhythm in all its global forms, probably with a smile permanently etched on the DJ's face. This is a genre-defying ride through UK garage, global bass, and baile funk, held together by an average BPM of 132.3 and the versatile 12A key.
The energy is evenly split between a driving low-end (55%) and a richly textured mid-range (38%), creating a sound that's both physically engaging and melodically interesting. Mixing is fast and playful, full of quick cuts, vocal drops, and genre-hopping that feels exhilarating rather than jarring. Standout moments are a testament to her digger's ear: TSVI's 'Hossam' is a nine-minute opener of intricate, percussive UKG that announces serious intent.
Throwing Beyoncé's 'Drunk in Love' into a set like this is a power move that absolutely works, while Mr Eazi & Diplo's 'Open & Close' provides a slick, afrobeats-inflected groove. Daniel Haaksman's 'Kid Conga' is a riot of global percussion, and Redlight's 'Zum Zum' is a classic garage roller deployed with perfect timing. The journey kicks off with the deep, rolling garage of 'Hossam', hits a peak with the cross-cultural clash of 'Drunk in Love', and winds down with the sunny, samba-inflected electronics of Branko & Pedro da Linha's 'Mpts'.