Brizm
IngiVision aka Julian Alexander b2b Samuel Deep in The Lab LDN
A back-to-back under the alias IngiVision, featuring Julian Alexander and Samuel Deep, promises a deep dive into tech-house's more cerebral, tool-oriented side. This is the sound of two selectors in a symbiotic dialogue, building a set from the ground up with precision and a slight sense of mischief. The Lab LDN setting feels apt for this kind of functional, forward-thinking workout. Technically, the set is a lesson in kinetic energy. Averaging 126.6 BPM, it sits in that sweet spot where house grooves meet techno's urgency.
The harmonic structure is fascinating, heavily leaning on 12A but with a significant presence of 3B, creating a slightly darker, more driving tonal palette. The energy is well-distributed, with a solid low-end (0.43 avg), a prominent, gritty mid-range (0.37 avg), and a notable amount of high-frequency activity (0.20 avg) for added punch and clarity. This is mixing for a locked-in, peak-time crowd. The tracklist is full of effective weapons. Details I's 'Details One-B' is a minimal, loop-based perfect opener.
Cameron Jack's 'The Vision' is a driving, no-nonsense tech-house cut. The inclusion of a Reinier Zonneveld homage remix of Moby's 'Natural Blues' is a brilliant, harder-edged reinterpretation of a classic, and Tiga & Boys Noize's '100' in a Johnny Aux remix is a peak-time bomb of electro-tinged chaos. The journey starts with minimalist intent, builds through layers of driving, percussive tech-house, and concludes with the atmospheric, dubby finale of Mike Isai's 'Bridge,' providing a cool-down that feels earned.